Archive for February, 2009

Me & Twitter, celebrating over 2 wonderful years together!

Twitter

I’ve been thinking a lot recently about how Twitter has finally permeated the mainstream. It came in waves… starting with the San Francisco tech community and moving through my own beloved social media friends. Chris Brogan was the first to send me an invite to the site, but at that time I was already so busy on social networking sites that I just wasn’t interested in bothering with another one. After resisting for months, it was this chat with Clintus McGintus on February 17, 2007, at 11:26pm EST that finally convinced me to join:

me: my twitter life would be boring

Clintus: no way
!!!
are you kidding
you are so ooooo interesting
and funny
your twitter life would be aweome

me: woke up
did some editing
went to fridge
did more editing
watched days of our lives
did more editing
answered fan mail
did more editing
went to bed
very exciting

Clintus: haha
yes but it would be put in a way that would be humorous
I know it
I mean just look at your flickr photos

me: perhaps
thanks man

Clintus: you are amazing. and I truly believe that anything you do will have that amazing feel.
I did always wonder why you and rudy or atleast one of you didnt twitter.

me: FINE! i’ll do it

Since then, much has happened. SXSW 2007 made (but nearly broke) Twitter – must have been those Twitterdildonics – and Twitter has had pretty steady growth since then.

But it wasn’t until the San Diego Comic Con last year that I noticed a whole new group joining the site. All my comic creator contacts finally moved from trashy MySpace profiles to Twitter. And now, with LeVar Burton and Ashton Kutcher paving the path, more and more Hollywood celebrities are signing up too. Fun.

The future of Twitter and online communities is bright, but it depends how these Hollywood n00bs (and you) decide to use it. My advice is to pay attention to what your followers are trying to tell you in their replies to you and block people saying nasty shit, reward random sweet followers with sweet/witty replies, and follow new and interesting people you grow to appreciate. Twitter is your garden, go plant the seeds and architect its’ growth.

The 80s are coming back… are you mentally prepared?

Daily Self Portrait - February 2, 2008

It’s not news that 80s fashion has been coming back little by little over the past couple of years, but I’m only starting to get worried now.

It’s a known fact to me that visiting the Topshop web site is like visiting the future of North American fashion. From my experience, it takes about 3-6 months for British fashion to eventually seep into the American fashion market, so here’s a taste of the crap we’ll apparently be wearing (and loving) later this year:

TopShop 80s fashionTopshop 80s fashion
Topshop 80s fashionTopshop 80s fashion

Personally, I just don’t think I’ll be able to get into this one… is there anyone out there who wants this crap?

Perhaps not yet… but will we have a different opinion once Watchmen comes out? This MTV spoof makes me wonder:

So, what do you think? Will you ever be able to get back into original 80s fashion like this again?

Why a $500 CAD budget is bull

Escape From City 17 budget (ala Kill Bill)Ever since it came out, all the major bloggers in the web video field have been going crazy about the online release of Escape From City 17. The CGI, effects and camerawork are extremely impressive, but as a Half-Life fan I was disappointed that it was just visuals and no real story other than, quite literally, the escape from City 17. That said, though, the creators have admitted on their YouTube video description that they shot without a script, and that the production was only made to test out new post-production techniques.

Lack-of-script critiques aside, all the leading web video reporters have been going ape-shit at the $500 CAD budget that creators Purchase Brothers reportedly spent on the production (Story links: Tubefilter, NewTeeVee, Tim Street). Obviously this sounds impressive, but there’s a LOT of factors that we all need to keep in perspective.

Rudy and I have often boasted that we made Galacticast for $0, or for the price of pizza*! (Har har…) But the reality of the situation is that we’ve spent tens of thousands of dollars purchasing equipment, costumes, props, etc. over the years… without paying countless friends/actors who’ve worked for, at most, pizza.

*Note: The road to professionalism is lined with pizza.

Over time, Rudy and I have become well-versed in the real cost of producing professional scripted web series and, let me tell you, it’s much more than $500 CAD/video. In fact, in a blog post made last year, Kent Nichols explains how it costs $6000 USD to make one episode of Ask A Ninja. The Purchase Brothers admit that they count costumes and guns as the bulk of the budget, so here’s a list of people that probably worked on the production without getting paid**:

  • Actors/Friends/Crew – I’m guessing there were at least 4 of them
  • Editor – Experienced, but unpaid
  • Cameraman – Again, experienced but unpaid
  • CGI animator – Has obviously been working A LOT of hours on this
  • Voice actors – To provide voiceover (walky-talky scene)

**Note: A lot of these people probably wore a lot of hats to make this video… which is fine. But, considering the video was shot “last year”, think about how many unpaid hours they’ve put into it.

Next is a list of important expenses that were not included in the budget***:

  • Travel – They flew from Toronto to Seattle for the shoot. If they had at least 4 cast/crew, the travel probably cost at least $2000
  • HD Camera – Probably originally cost about $5000
  • Boom mic – Not to mention the boom operator
  • Computer with editing, modeling and SFX software

***Purchase Brothers admitted in an interview that they already owned the equipment, so it wasn’t included in the budget. Makes sense, but I’m curious if they initially paid for the equipment out of pocket like Rudy and I did on Galacticast. Also, they’re still not taking into account the cost of travel, why is that? Even if they own their own airplane, they still have to pay for the gas.

Just so we’re clear… I’m not saying that this insanely-low budget is a bad thing, I just want everyone to be clear that this was an amateur production made by professionals. And, as such, we can’t all budget our videos to be $500… so going ape-shit over how low the budget was is completely premature.

Even when Rudy and I were in full season of Galacticast and weren’t paying ourselves or our actors a dime, we still had to pay our lawyer (who looked over countless contacts we received for licensing deals), our accountant (because once we started making money, we had to manage our company taxes), and our HD camera loan (plus insurance). We also had other big expenses like buying lights, a green screen (and stand), laptops, editing and SFX software, costumes, props, catering, promotional material, etc. That certainly brought our budget higher than $500/episode without paying anyone who actually WORKED on the videos (writer, director, actors, editor(s), producers, etc.).

At this point in our business, we’re looking into the details of hiring REAL actors… as even our best friends in Los Angeles are union members. One thing we’ve learned in our research has been that even if you want to make a video for free without any union actors, the State of California has their own law… it’s called minimum wage. And if you expect everyone to work for free, you may get in trouble if the State finds out.

At this point, You: “Casey, why are you getting so down on this?”

The reason is simple, Me: “Sure, you can say your budget is super cheap… but remember that it’s only cheap because you’re not paying anyone or taking all expenses into account. When someone comes along offering you x-amount for licensing or buying your content outright, you’d better know what your REAL budget is… otherwise, you could be agreeing to a contract paying end’s meat, or less.

The 2009 Casey McKinnon Makeup Guide

Casey McKinnon & Rudy Jahchan by Jason DeFillippo
Photo courtesy of Jason DeFillippo

Since my Style Guide was such a hit the other day, I thought I’d share makeup tips ala Casey McKinnon.

Like clothing, makeup is a very personal choice. Sometimes you want to wear something classic and beautiful, sometimes you want something casual and easy, and sometimes you want to be creative and/or geeky.

I started getting serious about make up when we started making Galacticast, because suddenly I had to act as a zillion different characters – who all needed different makeup styles to boot! I learned a lot about what exactly looks good on me… so without further ado, here is my method of applying make up:

[Disclaimer: I don't DARE do all of this on a daily basis...]

30 SPF Daily Moisturizer

If you’re not already, start protecting your skin NOW! Four years ago I got strange brown blotches on my face from the sun and was told I had Melasma (aka. “the pregnancy mask”). I then had to bleach the skin on my face with a special lotion that made my face turn red and peel off (horrible) and ever since I’ve been told to wear no less than 30 SPF on a daily basis, and try to stay protected from the sun. I highly suggest getting a 30 SPF lotion that also dubs as a facial cream, I have used both Oil of Olay and Aveeno products. Both seem to work well.

Foundation

I don’t use foundation on a regular basis because I feel like it clogs up my pores. I only use foundation when I’m doing a photo shoot or attending an important public event where I’m likely to be shot in photos! When shopping for a concealer, ask the person behind the makeup counter for something that suits your needs. My needs included looking natural on camera, and ever since I’ve been using Revlon New Complexion One-Step Compact Makeup.

Concealer

I don’t use a concealer, but instead usually put white eyeliner and/or white eye shadow/cream to the inner point of my eyes, as well as under my eyes (in the “bags”), and just under my eyebrows. This will make you look younger and more awake – I learned this from the beautiful Carmindy Bowyer from TLC’s What Not to Wear.

The Eyes

To me, all makeup centers around the eyes… so my guide is much more concentrated in this area. Since my eyes are green, and my skin is so pale, if I’m not wearing makeup in photos I look completely washed out. This is why I try to bring out my eyes on a daily basis (if I’m leaving the house or planning to be on camera!). Here are my favorite looks:

  • The Audrey Hepburn
    Casey McKinnon <3s Betsey Johnson :)Not-so-killer bee... yet.Attitude
    Even before I started wearing fake eyelashes, people told me I looked like Audrey Hepburn. In fact, my own mother mistook this painting of Audrey Hepburn for me! But it wasn’t until I watched a video on YouTube by askmemakeup that I really learned to master the art of Audrey Hepburn eyes.

    To achieve the Audrey Hepburn look, start by applying a white coal pencil (smudgingly) and/or white eyeshadow on the eye lid, the bottom line of your brow, and the inner corners of your eyes. Then, smudge a black coal pencil along your lash line and apply fake eyelashes. Next, apply a black liquid liner on the upper lid along the lash line… and voila!

    Tip: Learn to apply fake eyelashes here.

  • The Angelina Jolie
    Desaturate meCasey McKinnon at Tiki Bar TV DVD launchCasey McKinnon at CNET
    My rendition of smokey eyes. First, I lightly apply a black coal pencil around the entire eye. Next, I use a brush to smudge it out. Then, I take a dark aubergine-color powder and apply on my lids, as well as lightly around the entire eye – focusing on drawing it out a little further in the corners to give it a more oval look. After that, I highlight under my brow and the inner points of my eyes with white pencil (which I smudge) and I apply black mascara to the top and bottom lids.

    I use the color aubergine because it goes well with my eyes. You might want to try other colors to see what looks best on yours. Sephora allows you to try all their products in store… go and knock yourself out.

    Tip: There are great tutorials on YouTube for achieving the perfect smokey eyes, watch one here.

  • The Rock Band
    Fade to PinkDaily Self Portrait - August 2, 2008
    When you’re feeling creative and geek chic, go fire up the ol’ Rock Band. I don’t know about you, but I’m OBSESSED with the awesome eye makeup designs they have in the game… so I often treat Rock Band is my makeup consultant. Above, you can see I’ve tried the Fade To Pink design (I’ve also tried Red Out and Stardust, the latter of which looked awful on me! :P). And someday soon, I’ll be trying the Scarlet Ibis, Envy, Lynx, and Woodrobin designs.
  • Combinations/Creativity
    Daily Self Portrait - January 11, 2009Daily Self Portrait - February 11, 2009
    The most important thing with makeup, especially eye makeup, is to be creative. You might not find what suits you at first, but you will in time… and trying new things or mixing it up will help you stay up to date – even my mother has been adopting my makeup tips at home by highlighting her upper lid with a black line and mascara!

    Above is a photo of me blending intense smokey eyes with fake eyelashes (I was going for a neo-noir Blade Runner-type look). The photo next to it was from a Rock Band party I had where I did my makeup like Paul Stanley (*ahem* the third time I’ve ever done my makeup like a member of Kiss).

Blush

If you’re going for a vamp look, you needn’t apply any blush. You should apply a minimal amount if you’re going for a sweet look, and tons if you’re going for the burgundy-haired-middle-aged-woman-with-20-cats look… there’s a fine line, people.

Lipstick

I usually try to stay natural with my lipstick, using it as a type of lip-blush. I enjoy using Sephora Brand Ultra Shine Lip Gloss, but sometimes venture to a more vamp look with dark red lipsticks. That said, I don’t usually apply it too strongly, sometimes just a dab is all you need to blush up those lips.

Managing social networks with work and your personal life


Photos courtesy of Rudy Jahchan

Social networks are a funny thing… some are truly social, and others are more personal. Everyone uses them differently, but here’s how I struggle to balance each of them with my professional and personal life:

Twitter

My favorite social network/web site/everything. The way I use it:

  • Following: I only follow friends I want to stay up to date with on a daily basis (ie. I rarely follow friends from out of town, friends I don’t see often, friends that tweet too much for my taste, and friends that don’t tweet about anything I’m interested in). To give you the general idea, I usually only follow about 100 people, while I actually personally know about 500 people on Twitter.
  • Tweets: Rather than posting purely promotional links, I try to mix it up by incorporating links that I LOVE that I believe others would be interested in. I also post overheards that I find witty/hilarious. This serves to keep my audience of followers interested without annoying them with self-promotion.
  • Replies: This is how I get my follower feedback. I don’t always respond (because I hate when people post @replies ALL THE FRAKKING TIME), but I always read every one.
  • Direct Messages: Part of why I rarely follow people I’m not close friends with is because I want to minimize my DMs. I’d rather people just send me an email instead. That said, though, I usually use DMs as an introduction to new friends as a way to send them my personal email address!

Facebook

I wish I could have managed my Facebook account better from the beginning, with over 1300 friends I feel like it’s beyond saving. Here’s how I continually struggle to deal with having way too many friends.

  • Fan page: I don’t mean to sound vain or exclusive, but if I don’t know you… why are you sending me a friend request to my personal account? I’m very responsive to my Fan page as well, and would be more than happy to connect with you there.
  • Personal profile: In the past, I added everyone who sent me a friend request there… but at this point my account has become so overrun with strangers that it’s impossible for me to enjoy Facebook the way a normal person does. I can’t play any fun “compare people” games anymore because there are too many people I just don’t know. It’s sad to me, but I don’t want to hurt anyone’s feelings by removing them. This has been an ongoing struggle for over a year now and there’s really no good way to solve it. Last year, Jason Calacanis moved all his friends over to a fan page… I was pretty insulted to suddenly be his “fan”, but I can understand where he’s coming from.
  • Friends in common: This is the best tool on Facebook. When I get a friend request, and the person is also friends with people like Veronica Belmont, Felicia Day, Harry Knowles, etc. I know right away that they’re a fan. However, if they’re friends with people like Chris Brogan and Chris Penn, they’re usually marketing douchebags trying to harvest friends. I always turn down the latter and feel grateful that I’m friends with the Chrises.

Flickr

I’ve been on Flickr for about 4 years now and I feel like Flickr has done it better than most. The ability to add people as contacts, friends, and/or family is how I manage my privacy allowances.

  • If I don’t know you and your photos aren’t interesting to me, I won’t add you back.
  • If I don’t know you, but your photos ARE interesting to me, I’ll add you as a contact only.
  • If you’re a friend or prospective friend, I’ll add you as a friend.
  • If you’re my BFF and I <3 <3 <3 you, I'll add you as a friend and family.
  • If you’re actually family, I’ll actually add you as family.

The only thing I wish Flickr could change is allowing me to view my contacts’ photos based on which group I’ve placed them in. Sometimes I just want to catch up on the photos of my close friends, y’know?

MySpace

At this point, MySpace is such a junk heap that I just add everyone who sends me a friend request (except bands… MySpace made me HATE bands!). I rarely update anything, and I’m constantly blocking spammers. These days, I’m only on MySpace so that I don’t close myself off from the fans I’ve befriended there. People who STILL use MySpace are there for a reason… so if I want to maintain that audience, my presence there must remain.
Note: I use MySpace for 100% professional reasons.

Dopplr

Simple… If you’re my friend in the real world, I’ll add you back. But if not, I just don’t want you to know where I am at all times! Too creepy.
Note: I use Dopplr for 100% personal reasons.

Delicious

I don’t add anyone… I don’t even know if I can! I figure that Rudy is the only one really interested in seeing what I bookmark (especially since I tag certain things as “want”).
Note: I use Delicious for 100% personal reasons.

Digg

OMG, Casey, you still USE this? Yup… but only about once a month. Delicious and posting/finding links on Twitter (and retweeting them) has mostly replaced this for me.

Upcoming

Yup, I still use this too! I add all friends I’ve met and like to socialize with IRL.
Note: I use Upcoming for 100% social reasons.

YouTube

I used to add anyone back, but then “anyone” started sending me promotional messages, and now I’ve learned better. Now I only add real friends as my friends there.

To summarize, I pretty much only care about Twitter, Flickr and Facebook these days… but I do retain a presence on all of the above social networking sites. And, like I said, the way I use these sites will probably be different to the way you use them… and that’s okay. When it comes down to it, none of these sites should really be that important to your personal life anyways – I’ve just grown accustomed to living this way.

General tips

  1. Block people: If someone’s being a fucktard… just do it!
  2. Stick to your guns: If someone’s getting hissy because you won’t follow them on Twitter (this happens to me every day) just ignore it. It’s your life.
  3. Keep it clean and professional: You never know who’s looking… hotmale69 or mom and dad.
  4. Branding: It’s easier for people to recognize you with a standardized icon and design on each social profile… choose a theme that you feel represents your personal awesomeness.
  5. Web site: It’s good to have a central place to link to all your social networks, as well as represent your brand. That’s what CaseyMcKinnon.com is to me… my central hub, and a montage of my talents.