This year I produced the Comic-Con coverage for Sony Network Entertainment with this original mini series entitled Project: Comic-Con. The show is available in HD for free in the PlayStation Store, or online on YouTube. The series was made with the help of NAS Productions, which includes A Comicbook Orange director Josh Allard. W00T! Hope you enjoy!
I’ve also uploaded some photos from the con on Flickr.
We finally launched season 5 of A Comicbook Orange yesterday and it feels great! I’m dancing around my apartment today like a complete idiot. And, to make a day better, I also just got off the phone about something really exciting… so keep your fingers crossed for me ;)
Also out this week is an interview that Rudy and I did with The Web Files. The interview turned out even better than I thought it would because of the awesome editing! Take a look:
And, lastly, thanks to Tubefilter for the blog post yesterday, and thanks to YouTube and Blip.tv for featuring our new episode! 2010 is off to a great start… XOXO
Rudy Jahchan and Casey McKinnon re-create the Galacticast intro at the 2009 Streamy Awards. Photo courtesy of Kodak.
The 2009 Streamy Awards was the first awards show since the 2006 Vloggies to be devoted entirely to web video. As a result, it was a wonderful celebration of what I’ve been passionate about doing and advocating for the past 4+ years. Unfortunately, since my 2008 was spent relocating to Los Angeles and trying to get established, it was the ONLY year that we hadn’t made enough episodes of a web series to qualify for a nomination! Still, we watched contently as many of our good friends won for their shows. (We were probably most proud of our friends at Epic Fu who won for Best Hosted Web Series.)
2010 is going to be different. No longer are we in production limbo, we are back in full force.
The 2009 Streamys gave me the drive I needed to come back with a vengeance. Along with the support of my partner and co-writer Rudy Jahchan, the passion of our new director Josh Allard, the encouragement of our friend (and first Season 3 interviewee) Ben Templesmith, the assistance of Meltdown Comics for providing a location for our interviews, and our devoted A Comicbook Orange fans, I worked my little ass off to bring the show back.
And we did it all for free… because that’s how we roll.
So this year I ask you to please help keep us driven. If you love what we’ve been doing, please nominate us in as many categories of the Streamy Awards that we’re eligible to enter. Here’s a list:
And thanks to all of you who encouraged us to bring A Comicbook Orange back. Friends, fans, comic connoisseurs… you are the reason we do what we do.
♥ Casey XOXO
Ever since it came out, all the major bloggers in the web video field have been going crazy about the online release of Escape From City 17. The CGI, effects and camerawork are extremely impressive, but as a Half-Life fan I was disappointed that it was just visuals and no real story other than, quite literally, the escape from City 17. That said, though, the creators have admitted on their YouTube video description that they shot without a script, and that the production was only made to test out new post-production techniques.
Lack-of-script critiques aside, all the leading web video reporters have been going ape-shit at the $500 CAD budget that creators Purchase Brothers reportedly spent on the production (Story links: Tubefilter, NewTeeVee, Tim Street). Obviously this sounds impressive, but there’s a LOT of factors that we all need to keep in perspective.
Rudy and I have often boasted that we made Galacticast for $0, or for the price of pizza*! (Har har…) But the reality of the situation is that we’ve spent tens of thousands of dollars purchasing equipment, costumes, props, etc. over the years… without paying countless friends/actors who’ve worked for, at most, pizza.
*Note: The road to professionalism is lined with pizza.
Over time, Rudy and I have become well-versed in the real cost of producing professional scripted web series and, let me tell you, it’s much more than $500 CAD/video. In fact, in a blog post made last year, Kent Nichols explains how it costs $6000 USD to make one episode of Ask A Ninja. The Purchase Brothers admit that they count costumes and guns as the bulk of the budget, so here’s a list of people that probably worked on the production without getting paid**:
**Note: A lot of these people probably wore a lot of hats to make this video… which is fine. But, considering the video was shot “last year”, think about how many unpaid hours they’ve put into it.
Next is a list of important expenses that were not included in the budget***:
***Purchase Brothers admitted in an interview that they already owned the equipment, so it wasn’t included in the budget. Makes sense, but I’m curious if they initially paid for the equipment out of pocket like Rudy and I did on Galacticast. Also, they’re still not taking into account the cost of travel, why is that? Even if they own their own airplane, they still have to pay for the gas.
Just so we’re clear… I’m not saying that this insanely-low budget is a bad thing, I just want everyone to be clear that this was an amateur production made by professionals. And, as such, we can’t all budget our videos to be $500… so going ape-shit over how low the budget was is completely premature.
Even when Rudy and I were in full season of Galacticast and weren’t paying ourselves or our actors a dime, we still had to pay our lawyer (who looked over countless contacts we received for licensing deals), our accountant (because once we started making money, we had to manage our company taxes), and our HD camera loan (plus insurance). We also had other big expenses like buying lights, a green screen (and stand), laptops, editing and SFX software, costumes, props, catering, promotional material, etc. That certainly brought our budget higher than $500/episode without paying anyone who actually WORKED on the videos (writer, director, actors, editor(s), producers, etc.).
At this point in our business, we’re looking into the details of hiring REAL actors… as even our best friends in Los Angeles are union members. One thing we’ve learned in our research has been that even if you want to make a video for free without any union actors, the State of California has their own law… it’s called minimum wage. And if you expect everyone to work for free, you may get in trouble if the State finds out.
At this point, You: “Casey, why are you getting so down on this?”
The reason is simple, Me: “Sure, you can say your budget is super cheap… but remember that it’s only cheap because you’re not paying anyone or taking all expenses into account. When someone comes along offering you x-amount for licensing or buying your content outright, you’d better know what your REAL budget is… otherwise, you could be agreeing to a contract paying end’s meat, or less.“
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