Plus this:

Equals this:

Thanks to Daniel Logan for being silly with me…

We finally launched season 5 of A Comicbook Orange yesterday and it feels great! I’m dancing around my apartment today like a complete idiot. And, to make a day better, I also just got off the phone about something really exciting… so keep your fingers crossed for me ;)

Also out this week is an interview that Rudy and I did with The Web Files. The interview turned out even better than I thought it would because of the awesome editing! Take a look:

And, lastly, thanks to Tubefilter for the blog post yesterday, and thanks to YouTube and Blip.tv for featuring our new episode! 2010 is off to a great start… XOXO

The 2009 Streamy Awards was the first awards show since the 2006 Vloggies to be devoted entirely to web video. As a result, it was a wonderful celebration of what I’ve been passionate about doing and advocating for the past 4+ years. Unfortunately, since my 2008 was spent relocating to Los Angeles and trying to get established, it was the ONLY year that we hadn’t made enough episodes of a web series to qualify for a nomination! Still, we watched contently as many of our good friends won for their shows. (We were probably most proud of our friends at Epic Fu who won for Best Hosted Web Series.)

2010 is going to be different. No longer are we in production limbo, we are back in full force.

The 2009 Streamys gave me the drive I needed to come back with a vengeance. Along with the support of my partner and co-writer Rudy Jahchan, the passion of our new director Josh Allard, the encouragement of our friend (and first Season 3 interviewee) Ben Templesmith, the assistance of Meltdown Comics for providing a location for our interviews, and our devoted A Comicbook Orange fans, I worked my little ass off to bring the show back.

And we did it all for free… because that’s how we roll.

So this year I ask you to please help keep us driven. If you love what we’ve been doing, please nominate us in as many categories of the Streamy Awards that we’re eligible to enter. Here’s a list:

• Best Hosted Web Series – A Comicbook Orange
• Best Web Series Host – Casey McKinnon, A Comicbook Orange
• Best Guest Star in a Web Series – Casey McKinnon, Hurtling Through Space at an Alarming Rate
• Best Editing in a Web Series – Casey McKinnon, A Comicbook Orange
• Best Art Direction in a Web Series – Josh Allard, A Comicbook Orange
• Best Visual Effects in a Web Series – Casey McKinnon, A Comicbook Orange
• Best Original Music in a Web Series – Casey McKinnon, A Comicbook Orange (for my Dr. Horrible prequel song)

And thanks to all of you who encouraged us to bring A Comicbook Orange back. Friends, fans, comic connoisseurs… you are the reason we do what we do.

♥ Casey XOXO

Lack-of-script critiques aside, all the leading web video reporters have been going ape-shit at the $500 CAD budget that creators Purchase Brothers reportedly spent on the production (Story links: Tubefilter, NewTeeVee, Tim Street). Obviously this sounds impressive, but there’s a LOT of factors that we all need to keep in perspective.

Rudy and I have often boasted that we made Galacticast for $0, or for the price of pizza*! (Har har…) But the reality of the situation is that we’ve spent tens of thousands of dollars purchasing equipment, costumes, props, etc. over the years… without paying countless friends/actors who’ve worked for, at most, pizza.

*Note: The road to professionalism is lined with pizza.

Over time, Rudy and I have become well-versed in the real cost of producing professional scripted web series and, let me tell you, it’s much more than $500 CAD/video. In fact, in a blog post made last year, Kent Nichols explains how it costs $6000 USD to make one episode of Ask A Ninja. The Purchase Brothers admit that they count costumes and guns as the bulk of the budget, so here’s a list of people that probably worked on the production without getting paid**:

• Actors/Friends/Crew – I’m guessing there were at least 4 of them
• Editor – Experienced, but unpaid
• Cameraman – Again, experienced but unpaid
• CGI animator – Has obviously been working A LOT of hours on this
• Voice actors – To provide voiceover (walky-talky scene)

**Note: A lot of these people probably wore a lot of hats to make this video… which is fine. But, considering the video was shot “last year”, think about how many unpaid hours they’ve put into it.

Next is a list of important expenses that were not included in the budget***:

• Travel – They flew from Toronto to Seattle for the shoot. If they had at least 4 cast/crew, the travel probably cost at least $2000
• HD Camera – Probably originally cost about $5000
• Boom mic – Not to mention the boom operator
• Computer with editing, modeling and SFX software

***Purchase Brothers admitted in an interview that they already owned the equipment, so it wasn’t included in the budget. Makes sense, but I’m curious if they initially paid for the equipment out of pocket like Rudy and I did on Galacticast. Also, they’re still not taking into account the cost of travel, why is that? Even if they own their own airplane, they still have to pay for the gas.

Just so we’re clear… I’m not saying that this insanely-low budget is a bad thing, I just want everyone to be clear that this was an amateur production made by professionals. And, as such, we can’t all budget our videos to be $500… so going ape-shit over how low the budget was is completely premature.

Even when Rudy and I were in full season of Galacticast and weren’t paying ourselves or our actors a dime, we still had to pay our lawyer (who looked over countless contacts we received for licensing deals), our accountant (because once we started making money, we had to manage our company taxes), and our HD camera loan (plus insurance). We also had other big expenses like buying lights, a green screen (and stand), laptops, editing and SFX software, costumes, props, catering, promotional material, etc. That certainly brought our budget higher than $500/episode without paying anyone who actually WORKED on the videos (writer, director, actors, editor(s), producers, etc.).

At this point in our business, we’re looking into the details of hiring REAL actors… as even our best friends in Los Angeles are union members. One thing we’ve learned in our research has been that even if you want to make a video for free without any union actors, the State of California has their own law… it’s called minimum wage. And if you expect everyone to work for free, you may get in trouble if the State finds out.

At this point, You: “Casey, why are you getting so down on this?”

The reason is simple, Me: “Sure, you can say your budget is super cheap… but remember that it’s only cheap because you’re not paying anyone or taking all expenses into account. When someone comes along offering you x-amount for licensing or buying your content outright, you’d better know what your REAL budget is… otherwise, you could be agreeing to a contract paying end’s meat, or less.“

About a year ago, when we were making A Comicbook Orange, I got a neat little surprise… a friend request from Tony Moore on Facebook! It wasn’t the first time I had connected with him… I had actually spoken with him a couple of times earlier when I emailed him to say that we had reviewed Fear Agent and The Exterminators on our show.

But when I got a friend request from him I got rather giddy. I ran in the back office to tell Rudy and then started singing what is now the first part of what we dubbed The Tony Moore Song. With my tendency to turn everything into a cheesy small town commercial jingle, I came up with a tune… and later Rudy helped me find the perfect word to rhyme with “Exterminators”.

And so the Tony Moore ad was born.

I started composing the song in GarageBand that week, but didn’t finish the vocals since I wanted to get Rudy’s voice saying something like “Not affiliated with Tony Moore auto parts!” Then it happened… My laptop was stolen from my luggage and the song and screenplay with it.

As you can imagine, this set the Tony Moore project way back. But, after months of interruptions, my schedule was finally ready. I re-recorded the entire song from scratch and invited Yuri Lowenthal and Tara Platt over to help us make it. Rudy then proceeded to write a whole new, filthier script. And finally today… what (to me and Rudy) was a long-awaited project is finally up on the interwebs. Now the whole world can sing along ;)

Thanks to Tony Moore for being cool enough to let us post this borderline-slander online. We do love him and his work… so if you haven’t already seen his work, go pick it up right now!!! (Especially XXXombies, my personal favorite.)

Podsafe music courtesy of Gringo Motel (source).

Watch and share on YouTube, Vimeo, or Flickr.

Links:
Daily Self Portrait Outtakes – September 2008
Daily Self Portrait Outtakes – August 2008
Daily Self Portrait Outtakes – July 2008

A public service announcement from Casey McKinnon.

Share this video: YouTube; Vimeo.

Related Links: NO on PROP 8; Veronica Belmont

Watch and share on YouTube, Vimeo, or Flickr.

Links:
Daily Self Portrait Outtakes – August 2008
Daily Self Portrait Outtakes – July 2008
Daily Self Portrait Outtakes – June 2008

Rudy and I were interviewed this week about our experience in the internet television industry and what opportunities it has given us as amateurs turned professional. Check it out here if you feel like buffing up on your French reading… ;)

February’s outtakes are a little shorter than usual because I wasn’t diligent at taking a photo every day. I’ll make a better effort in March. Also, I apologize for over-electro-ing it on the music mix… I just couldn’t help it :P

Links:
Daily Self Portrait Outtakes – January 2008
Daily Self Portrait Outtakes – December 2007
Daily Self Portrait Outtakes – Sept 30 – Nov 30, 2007