I'm happy to announce that I've been cast as Grete in Sight Unseen at The Lounge Theatre in Los Angeles. The play, written by Pulitzer Prize winning playwright Donald Margulies, follows Jonathan Waxman, a successful Jewish-American painter, as he revisits his past by reconnecting with a former lover and muse.
My character, Grete, is a determined young German journalist with information that could potentially ruin Waxman's career. The role of Grete was played by Laura Linney at the Orpheum Theatre in New York in the early nineties.
I'm really excited to be working with director Nicole Dominguez and the great little cast and crew that she has assembled. Even after only three rehearsals, I can see that it is shaping up to become something special.
Previews begin on Thursday, March 12th and we open on Saturday, March 14th. The play will run until April 26th. Tickets are available here.
The boy in the North Shore jacket was the cutest boy in all of Dollard-des-Ormeaux.
While the other girls in my school were busy fighting over which New Kids on the Block member they liked most and fawning over the lyrics to Richard Marx's "Right Here Waiting," I was busy embarrassing myself over that cute boy in the North Shore jacket.
The other girls in my class teased me relentlessly about it, shouting his name and then hiding behind me, or calling his parents' house and handing me the phone, but I embarrassed myself the most.
Like REALLY embarrassed myself. More humiliating than that scene from Forever Young where Elijah Wood serenades a girl with "You Are My Sunshine." That was adorable. No, no... I can't imagine any of my actions were ever that endearing.
There was the time in grade 5 when I choreographed a dance routine and modded the lyrics to obscure 1950s song "Pink Shoelaces" to express my admiration in the schoolyard during recess. If you want a better mental image, the chorus went "He wore Converse, with white shoe laces, a North Shore jacket, and man-oh-man!"
Then there was the time when his cool older brother came to visit our elementary school and we break danced outside the gym; I did a sweet headspin which was probably waaay cooler in my mind than it ever was in reality.
Oh, and there was that other time in junior high school when my friends got me to sing "Part of Your World" from The Little Mermaid while he was watching. I was mortified, but I did it because, y'know, peer pressure and all.
Needless to say, there were many other moments of dorkery that I have tried to forget over the years.
So, when my sister texted me at 6:24am last week to tell me that Dean Stock was diagnosed with ALS, it all came flooding back to me.
I feel terrible for the struggle Dean will face and moved by the support he's getting from his family, especially that cool older brother of his, PJ Stock. I wish him the absolute best treatment and I will be crossing my fingers for a cure. To help, I'm donating to the ALS Society of Quebec in support of Team Stock. My eleven year old self would have wanted me to.
Join me by donating here: TeamStock.ca
Just before the holidays, I did an "Old Hollywood" shoot with amazing photographer Nick Holmes. He used strong, dramatic lighting inspired by the work of George Hurrell, and I believe he succeeded in getting some very, VERY glamorous shots. Above are my favorite images from the shoot, but you can see more on his Flickr and Instagram accounts. If you're interested in shooting with him, you can book him through his official site.
On December 6th and 7th I had the pleasure of playing the role of Lady Stutfield in Oscar Wilde's A Woman of No Importance at Sacred Fools Theatre in Los Angeles. It was such a joy to step into the shoes of a proper lady, and slip into a British accent that I've been perfecting since childhood on those rainy days when I had no one to play with but the little girl in the mirror.
I was so happy to be cast in this production, especially after taking Geoffrey Wade's Shaw, Wilde & Coward class at Antaeus Theatre last Spring. I read a lot of Wilde plays at the time and A Woman of No Importance was my absolute favorite. I firmly believe that you can sit a chauvinist down in the theatre and he wouldn't notice it's a feminist play until the very end, when he's already on the female protagonist's side. If Geoffrey's class sounds interesting to you, he's offering it again in a couple of months. The class prepared me very thoroughly for late 19th century theatre, including dialect work, proper posture, interactions between upstairs masters and downstairs servants, and social dos and don'ts.
I had a great time preparing for the role as well. I did a lot of research on hair and makeup appropriate to the time period and ended up with a Gibson Girl updo, and wearing minimal makeup with a little, slightly period inauthentic eyeliner to make my eyes pop for the audience. I found this hair tutorial on YouTube to base my hairstyle:
Working with Sacred Fools Theatre was an excellent experience. I personally think that this theatre is one of the most cutting edge companies in Los Angeles and I admire their work immensely. In the past year, they have produced a stage adaptation of Do Androids Dream of Electric Sheep?, a hilarious musical comedy about the life of behavioral scientist John Broadus Watson, and a cannibal play called Taste - based on real events - directed by horror master Stuart Gordon. A Woman of No Importance was their first Oscar Wilde production, and I felt very lucky to be involved in this lovely little anomaly. I met some wonderful people and I hope to work with them again and again, especially producer David Mayes and director Armina LaManna.
Special thanks to all my dear friends who came out to support me: Rudy, Barrett & Beth, Raya & Jenny, Priscilla & Thaine, Cameron & Arielle, Simone, Leslie, Crystal, Paul, Liz, Cerina, Paul 2.0, Yuri & Tara, and my "Canadian contingent" Teddy & Dave, and Diane & Bruce! Your applause were so loud at my curtain call and I was incredibly touched. You made this girl feel like she won the lottery. <3
Looking forward to doing more theatre in 2015. Happy new year, everyone!
- Saturday, December 6th at 8pm
- Sunday, December 7th at 3pm
Tickets are available online here.
This is my favorite Oscar Wilde play because it critiques gender inequality in such a clever way. By mocking women's issues at the turn of the 20th century, Wilde shines a comedic spotlight on the problems we faced - and, in some cases, continue to face - in our society. It has been interesting working on the play in the wake of GamerGate. Over a hundred years after the suffragette movement, we still face terrible threats and abuse for even daring to speak out.
I'm very grateful to Geoffrey Wade for his invaluable training in Shaw, Wilde and Coward at Antaeus Theatre. His class and his private coaching were priceless to me, and I feel so lucky to be cast in a Wilde play so soon after.
I am really enjoying the direction of Armina LaManna, who is truly a master (mistress?) of physical comedy, and I can't wait to get up on stage!
Hope to see you there!
Here's a little teaser from the first rehearsal of a play that I've been cast in that I haven't announced publicly yet -- I'm just waiting until I know the days I'll be going on, so everyone gets tickets for the right times.
Looking forward to letting you all know about it soon. And, if you're looking for me in the photo... I'm way in the back right sucking on a mint and concentrating hard on the script. :)
Last weekend I had the pleasure of acting in Celini, a new sci-fi play written and directed by Aaron Francis, and staged at Sacred Fools Theatre Company as part of their Serial Killers series. I played Ashley, a biologist working to discover life on Mars, and worked with a wonderful cast consisting of Paula Rebelo, Jonathan Goldstein, Alex Suha, Adriana Colon, Aaron Francis, Lauren Esther Neal, Carla Toutz, Quin Sullivan, Tony Williams, and David Rodwin (pictured above).
I'm a lucky little sci-fi nerd.
Thanks so much to Facet Photography for taking my new headshots. I'm looking forward to sending them out, so I can play the alien-queen/sassy-girl-next-door/human-resistance-fighter/dorky-scientist that I was meant to play!
We just closed Hamlet Max at the Hollywood Fringe Festival, where I played Marcellus, Guildenstern, Second Player (Prologue, Player Queen, Lucianus), and Osric. I had a wonderful time, met some amazing people, and got to take part in something I believed in, so here's a little wrap-up about some of the great stuff that came of it.
Before opening night, illustrator Hillary Bauman, director and star Jacob Sidney, and I were interviewed by FringeTV. The play was also featured on Bleeding Cool this week, where Sidney delved deep into the production background and outlined his plans for the future.
We were reviewed by Broadway World and Bitter Lemons, in addition to all the great audience reviews we received on the Hollywood Fringe Festival web site. Here are a few highlights that I was very honored to read:
My fellow cast and crew were all wonderfully talented people that I will never forget. I count them all as friends, and I hope I get to work with each and every one of them again in the near future.
Special thanks to all my dear friends who came out to support me: Yuri Lowenthal; Tara Platt; Leslie Ranne; Nar Williams; Matthew Wrather; Fiona Sweeney; David August (& Kara); David Nett; Liz Miller; Paula Rhodes; Charlie Bodin; Brendan Bradley; Paul Whitfield; Robert Hewitt Wolfie; Celeste Wolfie; Cameron Daxon; Emma Sleath; Kevin Delin; Spencer Rowe; Ulka Simone Mohanty; and Rudy Jahchan, who has been my "Usul" through this whole process. I love you all.
Last month I performed a scene from The Importance of Being Earnest at Antaeus Theater. Above are just a few photos taken by Geoffrey Wade, the moderator of my 'Shaw, Wilde, and Coward: A Scene Study' class, with Erin Barnes as Gwendolen Fairfax and myself as Cecily Cardew. More photos available here.
At Antaeus Theatre today, Armin Shimerman's Shakespeare class celebrated the 450th birthday of William Shakespeare. The class started as usual with scenes from our favorite plays, and I surprised them at the end with a homemade chocolate cake with an icing outline of Shakespeare's face and 4-5-0 candles to top it off. The day was wonderful and memorable, just like the works of Shakespeare.
Hamlet Max is a new adaptation of Hamlet set in post-apocalyptic Denmark. This unconventional setting gives director and star Jacob Sidney an opportunity to try new things and raise the stakes, while still maintain the integrity and power of the original story and text. I'm particularly excited about his casting choices, where a number of characters, including my own, will be gender bent. (Take that, Queen Elizabeth I!)
In addition to the role of Guildenstern, I will also be playing Marcellus, Second Player (Prologue, Player Queen, Lucianus), and Osric. To say I'm thrilled would be an understatement. After all my great theatre classes at Antaeus Academy, I am excited to launch my stage career and am so wonderfully happy that my first production will be an adaptation of Shakespeare. I am so grateful to the wonderful people at Antaeus for their support and tutelage, especially Armin Shimerman who has changed my life with his near-scientific method for approaching the rhetoric of Shakespeare, Rob Nagle for inspiring me and being my "trusty steed," and Ann Noble for her constant encouragement.
Please check out our IndieGoGo campaign to buy tickets, browse our special perks (including the option to have me read a sonnet on your voicemail!), or simply make a donation to help us fund this project.
This month marks the 450th anniversary of the birth of William Shakespeare. To mark this special occasion, my friend Brendan Bradley put together a wonderful challenge: to capture 450 monologues from the works of Shakespeare by April 23rd.
I am so pleased to participate and pay tribute to this amazing playwright who has left us with some of the deepest, cleverest plays that the world has ever known. As an actor, I don't always get a lot of lines or character development, so doing Shakespeare gives me great joy and satisfaction because he left us so much to play with in the text. The work of Shakespeare is a gift to humanity, so what better gift from we remaining humans than to continue performing it to hono(u)r its creator!
In addition to my own monologue from Henry IV Part 1, you can also see some brilliant monologues from a number of my friends including Tara Platt, Yuri Lowenthal, David Nett, Ashley Clements, Bradley himself, and many more!
Join us. Help us get 450 monologues on YouTube in time to celebrate the birth of The Bard! Click here for information on how to submit your own video monologue!
Happy birthday, Shakespeare! I love you with so much of my heart that none is left to protest.
My episode of IRrelevant Astronomy for NASA finally came out this month and it's going nuclear! We've been featured on Wired, CNET, io9, Escapist, Kotaku, The Mary Sue and many many more. In fact, this afternoon I saw articles written in Spanish, Italian, and Russian. Thanks so much to everyone who Liked, shared, +1'd, and wrote about us!
I was so excited to get to work on this project with Ellen McLain, the amazing voice actress behind GLaDOS in the Portal series, even though I didn't get to meet her in person. And anyone who has followed me for a while knows how much I love Portal. Heck, my husband even proposed by making me a Portal Atari game!
I'm very grateful to writer/producer Tim Pyle for approaching me to work on this. I'm passionate about science and, after taking an astrophysics class in my final year of college taught by the lovely Victoria Kaspi, I was tempted to go back and change my degree entirely! It's an honor to (kinda) get to work for NASA and to help introduce our future world leaders to the majesty of science.
If you haven't already seen the video, check it out here. And, if you've got kids, show it to them too!
I can't even come close to expressing how happy it made me today to discover that the official NASA Twitter account shared my video last week to over 8 million of their followers. I'm so proud to be a part of this project that promotes STEM education to children across the globe and, though I may not be as cool as an astronaut, I feel like I've made my daddy proud too. :)
A little behind the scenes photo of the cast and crew from our NASA shoot (video coming soon!). My costume was a little big on me, but hey... the kids love their dropped crotch pants these days, right? ;)
Yesterday I had the honor and privilege of playing Cordelia in a scene from King Lear with actor Armin Shimerman at Antaeus Theatre. You might know Armin for his role as Quark in Star Trek: Deep Space Nine or Principal Snyder in Buffy the Vampire Slayer, but I know him as my teacher, coach, mentor, and friend. He's a brilliant man with an incredible brain and it was an amazing experience to work on this scene with him. I look forward to the day we get to work together again and possibly even reprise the roles; Armin would make a wonderful Lear.